Event Horizon
MEMORYThe EOLIA signature: a vast remembering space that blooms around the source.
SPATIAL REVERB · SEVEN ENGINES
A reverb you can see — and play.
Seven acoustic engines inside one living universe. Drag the core to move the listener, spin the ring to turn the space around you, draw a path and let GENESIS fly your sound along it. Everything you see is the reverb itself.
COMING SOON FOR MACOS
ALSO FOR IPHONE + IPAD
- System
- macOS 11 or later
Apple Silicon and Intel - Formats
- AU and VST3
- Engines
- Seven, including DUST
- Version
- 1.0.0 · 43 presets
Seven laws of space. One universe you can touch.
EVERY PARTICLE IS DRIVEN BY THE REVERB YOU HEAR01 · Seven engines
Not seven settings. Seven different kinds of space.
Each engine is its own acoustic network with its own character, early reflections and way of moving. Switch between them while the music plays: the tail of the old space releases under the new one, without a click, and the universe changes its laws with it.
The reference space.
A sixteen-node acoustic network that keeps every node alive through the whole tail. Clean, even and wide, with a smooth build-up and no colouration you did not ask for. The space for anything that has to sound true and expensive.
Impossible scale.
Two spatial chambers exchange their complete field through a lossless junction. The tail opens after the sound — dark, distant and enormous — and blooms around the source instead of covering it.
A space that remembers.
Current, history and rear layers. What you just played returns as tape-soft recollections, ping-pong echoes that darken with every pass and reversed fragments of the recent past — the signature EOLIA sound.
A room that reroutes itself.
Four layers of lossless junctions move independently, so the tail wanders across the whole image while you listen — always alive, never pumping, never detuned.
Harmonic light.
A spectral shimmer climbs above the mix in fifths and octaves while three resonances rise through the tail. Space Y sets the interval; COLOR opens it into air.
Physical mass.
Twelve short body paths scatter like a dense material. Transients hit harder and break into a heavy, close cloud — weight for drums, impacts and anything that should feel solid.
A cloud of grains in space.
Your sound is caught in an eight-second memory and played back as up to forty-eight grains, each from its own point around you, feeding a diffuse tail that keeps evolving. New in 1.0.0.
02 · New engine
DUST. Your sound, turned to stardust.
A granular reverb written from scratch for EOLIA. Every grain you hear is a point of light you can see, thrown out from the core in the direction it sounds from.
Grains are read from the last eight seconds of your audio — forwards or reversed, at musical intervals — and placed around you in the immersive room. They feed a wide, diffuse tail whose echo returns to the memory, so the cloud keeps evolving. Hold the core and the memory freezes: the grains go on playing what was heard, indefinitely. With your DAW playing and MOTION low, grains fall on the beat.
- SIZEGRAIN LENGTH
- From 15 ms glints to almost one-second swells.
- DENSITYGRAINS PER SECOND
- From a sparse sprinkle to a dense cloud of up to 120 grains a second.
- MOTIONSCATTER IN TIME
- How far back in time the grains reach, how freely they move — and above 55 %, reversed grains.
- COLORINTERVAL
- Quantised pitch: an octave down, a fifth below, natural, fifths above, octaves above.
- WIDTHSPREAD
- From a narrow beam in front of you to grains all around.
- DECAYTAIL + FEEDBACK
- The length of the cloud and how much of it returns to the memory.
- FREEZEHOLD THE CORE
- The memory stops recording; the grains keep scanning it forever.
- TOUCHPLAY THE CLOUD
- Your finger or cursor on the universe chooses when and where the grains play.
03 · GENESIS
A space that listens to the music — and moves with it.
Switch GENESIS on and the reverb starts its own spatial choreography. It hears silence, calm passages, grooves, builds, drops and breaks, and answers each with figures that orbit, swing, scatter, rise and suspend — locked to your tempo and identical on every bounce.
Draw the space
Sketch a path around the core. Your sound follows it.
Tap PATH and draw. The stroke becomes a loop of one to eight bars that GENESIS replays in time with the track: in front, behind, close, far away. Turn CALM toward CHAOS and each repetition rotates and breathes a little. Roll the dice for a new choreography — or for a new turn of your own path.
Deterministic by design. The same seed and the same song position always produce the same motion, so automation, bounces and stems line up exactly.
04 · Immersive · 3D
An eleven-speaker room. Any DAW. Any headphones.
EOLIA renders its tail into a virtual 7.1.4 room — seven speakers around you and four above — and folds it back to ordinary stereo. Nothing to configure, no special tracks, no Atmos renderer.
STEREO. A classic stereo reverb image between your two speakers — every engine, every gesture, nothing folded down.
IMMERSIVE. The tail is spread over eleven virtual speakers, including the height layer, and rendered to stereo. It works on speakers and headphones in every host.
3D. Binaural rendering for headphones: interaural time, head shadow and elevation cues place the room around and above you. Any headphones, no head tracking and no special permissions.
05 · The universe is the instrument
Every region of the scene is playable.
The knobs are all there — but the fastest way to shape EOLIA is to reach into it. Tap a marker to see what each region plays.
1 · THE CORE
Drag to move the listener through the space — throw it and it keeps drifting. Scroll or pinch for scale. Hold to freeze. Double-click to reset.
2 · THE RING
Drag outward for size. Spin it like a turntable and the whole tail turns around you — and keeps turning when you let go.
3 · THE BELT
Sideways for width, up and down for density.
4 · OPEN SPACE
Up and down for decay, sideways for colour. Hold still and gravity pulls the sound toward your hand; let go and it springs home. With DUST, your hand plays the grain cloud.
TWO FINGERS
Pinch for scale, move together to turn the view, twist to spin the space.
06 · Smart Listen
It listens first.
Click the EOLIA emblem and play. EOLIA waits for your sound, listens to two bars and recognises what it hears — voice, kick, snare, drum loop, bass, synth, pad or a full mix — then builds the space around it.
With your DAW running, pre-delay lands on a note value and the tail on a musical length. On a 100 % wet send, the send level is left alone. Analysis happens entirely on your Mac; nothing is recorded or uploaded.
Freeze · Duck · Orbit
The details that make it a mixing tool.
Freeze holds the space in the air for as long as you want. Duck lets the tail breathe around the source. Low and high cut shape the wet signal only. Orbit turns the tail around the listener, clockwise or counter-clockwise. IN and OUT trims sit on the meters themselves — drag them, double-click for 0 dB.
In your DAW
On your tracks, your buses, your sends.
Audio Unit and VST3 for Ableton Live, Logic Pro, Bitwig Studio, Cubase, Studio One, REAPER and every other compatible host. Zero latency, every parameter automatable, and the complete state — down to a drawn path — saved with your project.
07 · Interface
Rendered in real time on the GPU, from the sound itself.
A Metal renderer draws the disk, the dust, the shock rings and the light trails sixty times a second from EOLIA's own telemetry. Visual quality adapts automatically, and the interface scales to 85, 100 or 120 %.
08 · Presets
43 presets. Each one has a job.
Signature spaces, GENESIS choreographies and drawn paths, then focused starting points for vocals, drums, instruments, synths, cinematic work and mixing — loudness-matched, so you can audition by ear.
Singularity
VOIDInfinite dark depth that swallows the source and returns it huge.
Aurora Field
FIELDWide, pristine, enveloping light around anything.
Living Drift
DRIFTA space that slowly reroutes itself while you listen.
Ascension Light
ASCENDHarmonic shimmer that rises above the mix.
Dense Matter
MATTERHeavy physical space: impacts scatter into a dense cloud.
Stardust
DUSTThe grains of your sound scattered around you, glinting in fifths, inside a wide soft space.
Genesis
MEMORYPress play: the space listens and moves around you.
Dancefloor Galaxy
DRIFTBeat-locked swings, spins and scatters for club tracks.
Slow Universe
FIELDBarely-there drifting for mixes that must stay calm.
Headphone Odyssey
VOID3D headphones: the void travels above, behind and around you.
Drum Constellation
MATTERHits land in a different place every bar.
Dream Machine
ASCEND3D headphones: endless rising dream space.
Golden Path
FIELDA drawn path: the space sweeps in front, behind and around you every four bars. Draw your own with PATH.
Halo Orbit
FIELDA drawn circle: the space orbits all the way around you every two bars.
Pendulum
DRIFTA drawn swing: left to right every bar, closest as it passes in front.
Spiral Ascent
ASCEND3D headphones: the shimmer spirals in from far away over eight bars.
Vocal Halo
FIELDBright clean halo that ducks under the words.
Ghost Choir
ASCENDHarmonics rise behind the singer like a choir.
Intimate Plate
FIELDDense, bright and close: a lead vocal stays upfront and expensive.
Ballad Hall
MEMORYA long, soft hall that opens between the phrases.
Vocal Mist
DUSTWords dissolve into a fine mist that floats behind the singer.
Kick Chamber
MATTERShort weighty chamber: body, not mud.
Drum Bus Glue
MATTERRoom glue for whole kits and loops.
Breakbeat Space
DRIFTMoving space that keeps loops alive.
Snare Bloom
FIELDThe classic big snare: a bright burst that clears before the next hit.
Drum Dust
DUSTShort grains locked to the host tempo: hits splinter into rhythmic dust around the kit.
Grand Piano Hall
FIELDA concert hall for keys: warm, even, wide.
Guitar Cathedral
MEMORYClean or ambient guitar into a slowly turning cathedral.
Synth Orbit
DRIFTLeads and chords circle the room while the tail keeps rerouting.
Pluck Comet
ASCENDShort plucks leave a rising, shimmering trail.
Pad Nebula
VOIDPads become weather: an endless, slowly rotating cloud.
Frozen Pad
DUSTLong overlapping grains: any chord becomes an endless pad. Hold the core to freeze it.
Octave Rain
DUSTGrains an octave and a twelfth up fall back into the space and climb again.
Cinematic Abyss
VOID3D headphones: a bottomless space that moves above and behind you.
Trailer Impact
MATTERHits, braams and risers explode into a dense physical hall.
Deep Dust
DUST3D headphones: an octave down, half of it reversed, drifting around and above you.
Mix Glue Short
FIELDBarely there: depth without wash.
Send Shimmer
ASCEND100% wet shimmer send.
Depth Only
VOIDPush sources back without obvious reverb.
Ducked Vocal Send
MEMORYSend that gets out of the way of words.
Reverse Bloom
VOIDSlow swelling bloom that arrives late.
Lo-Fi Memory
MEMORYFaded, filtered recollection.
09 · Specifications
Built like an instrument.
- System
- macOS 11 Big Sur or later. Universal: Apple Silicon and Intel.
- Formats
- Audio Unit and VST3, for any compatible host such as Ableton Live, Logic Pro, Bitwig Studio, Cubase, Studio One or REAPER.
- Engines
- FIELD, VOID, MEMORY, DRIFT, ASCEND, MATTER and DUST.
- Space modes
- STEREO, IMMERSIVE (eleven virtual speakers, 7.1.4, rendered to stereo) and 3D binaural.
- Main controls
- Pre-Delay (0–250 ms), Size, Decay (0.2–60 s), Density, Motion, Color, Width (0–200 %), Mix.
- Sound tools
- Duck, Low Cut, High Cut, Orbit, Freeze, Input and Output trims (±18 dB).
- GENESIS
- Generative spatial choreography, CALM–CHAOS intensity, seeds, drawn paths of 1–8 bars, tempo-locked.
- Audio
- Stereo in / stereo out. Zero latency. 44.1 to 192 kHz. Every parameter automatable.
- Presets
- 43 factory presets in nine categories, plus your own user presets.
11 · Questions
Good to know.
Do I need a Dolby Atmos setup for IMMERSIVE?
No. EOLIA builds its eleven-speaker room internally and renders it to ordinary stereo, so IMMERSIVE works on any track, in any host, on speakers or headphones.
Which headphones work with 3D?
Any headphones. 3D uses binaural cues computed by EOLIA itself; it does not need head tracking, special hardware or any permission.
Will GENESIS sound different every time I bounce?
No. GENESIS is seeded and follows the song position, so the same seed at the same point of your arrangement produces exactly the same movement — in playback, in automation and in every bounce.
Does EOLIA add latency?
No. EOLIA reports zero latency, so it can be used on live inputs and sends without delay compensation.
Where are my presets?
User presets are stored in ~/Library/Application Support/Another Machines/EOLIA/Presets. Your host also saves EOLIA's complete state, including a drawn path, inside every project.
Does EOLIA collect any data?
No. There is no account, no tracking and no analytics, and all analysis happens on your Mac. Read the privacy policy.
A reverb you can see — and play. For macOS, iPhone and iPad.